Curating.info - Comments

Kate: Where to From Here? The Professional Challenges of Emerging Curators

nospam@example.com (Kate) — Fri, 07 Oct 2011 13:37:28 -0500

April, I couldn't agree more with your blog, we have the same problems here in Scotland and in the UK in general. You might be interested in the recent research that the Visual Artists and Galleries Association has been conducting - the VAGA International Research Enquiry. You might also be interested in this http://www.parallellines.org.uk/ a programme for curatorial professional development set up by independent curator Kirsteen MacDonald, who also worked on the VIRE project and developed ion response to the findings. I've been fortunate to have taken part in the initial series of events and workshops and have found it extremely beneficial, whether it's been because of the forging of new contacts, the development of new ideas or for just getting together with other struggling yet dynamic curators. It would be great to see similar programmes start to sprout up around the globe.

Here is a Fantasy: Where to From Here? The Professional Challenges of Emerging Curators

nospam@example.com (Here is a Fantasy) — Wed, 05 Oct 2011 07:46:05 -0500

Just a short note: As someone who's been dealing with life after the Master's for two years, I've seen my fair share of how young curators are adjusting. I, like some of my colleagues, took the first job offer we were given, even if that meant moving to a small city. Unfortunately, these aren't the types of curatorial jobs we were prepared for giving the glamorizing tendency of MA programs and, well, HUO. In general, there just aren't as many museum jobs out there to satisfy the number of graduates from curatorial programs. So then what? Independent's a hard path to trod, but it makes us curators realize we're more like artists than maybe we first realized.

Dorji namgyel: Opportunity: Three curatorial fellowships, Contemporary Art Society

nospam@example.com (Dorji namgyel) — Mon, 28 Feb 2011 06:41:06 -0600

how can i get the curatorial grant?

cyril bennett: Job: Assistant Curator, Henry Moore Foundation

nospam@example.com (cyril bennett) — Tue, 01 Feb 2011 14:25:21 -0600

Dear Sir/Madam,
Why is it that when a job comes up in a Museum or Gallery you always require an Arts Degree,which is a complete waste of time,first of all being a rare art dealer for over 45 years,and at this moment I have two rare Henry Moore sculptures for sale,and not a chance would I hire any graduate with a degree over on hand experience to work with me,there is nothing better in a business than years of experience,not some graduates that the only experience they have is reading a few books,I my self have for sale some of the worlds great art,ex: Leonardo,Rubens,Rafael,Renoir,and if you think for one moment I would have some graduate handling paintings of this caliber,then you had better give your head a shake. Maybe I want to retire and apply for this position,and the only degrees I have is in religion,so how about that.

Gabby: Pick 'N Mix #43

nospam@example.com (Gabby) — Wed, 19 Jan 2011 10:58:54 -0600

Thanks for the link, Michelle! I'm hoping to develop some public discussions out of this attempt at archiving, and hopefully some kind of print document as well. Keep the lists coming.

Pau Cata: Summer Seminars for Art Curators 2010 Report

nospam@example.com (Pau Cata) — Sun, 24 Oct 2010 18:00:12 -0500

Hey Hey Hey!

Thats a lovely and entertainig way of describing the Seminars!!!
Ja ja, that was g8 fun! I do miss the adventure!!! not the toilets tho
Thank you for sharing that! I hope to upload my video+txt (40 pages) at some point xxx

Jean Pal: Job: Curator, Art on the Underground

nospam@example.com (Jean Pal) — Tue, 29 Jun 2010 02:40:06 -0500

I too was bemused by the benefits package that comes wit this job especially the 'Free Tube travel and travel concessions including discounted Eurostar travel' does this mean that Eurostar will soon be available on a one day zone 6 travelcard? They also don't clarify if you get some of those natty underground branded Dr marten shoes or the underground buckle belt.

JF: Job: Curator, Art on the Underground

nospam@example.com (JF) — Mon, 28 Jun 2010 12:31:11 -0500

Why does this package include private healthcare? The state should be supporting NHS provision, not undermining it by funding unsustainable alternatives that divert resources from caring for the many. This disgusts me.

Lee: Pick 'N Mix - November 2007

nospam@example.com (Lee) — Wed, 05 May 2010 13:59:35 -0500

I have been selling art exhibited in galleries and on the internet for several years. I consider that I’m an old hand at both types of presentations and sales. Artists like me, have a vested interest in this particular online article. "CURATE OR DIE," speaks the real truth about the changing art world. This is a subject matter close to my heart and pocketbook .The title of the series is what caught my attention. This was a smart move by KW Institute for Contemp.Art in Berlin. I had to agree with every word because the museums have, or need to change how business is done in this new place in time. Exhibits are the real bread and butter as the article attests to. The thunder belongs toonline art galleries .
“The balance of exhibiting, collecting, researching, and conserving activities has shifted towards a marked concentration on exhibiting. Both the public eye and possible sponsors tend to privilege the spectacular potential inherent in exhibitions.”

Augustine: Pick 'N Mix #36

nospam@example.com (Augustine) — Tue, 23 Mar 2010 07:35:44 -0500

Hi Michelle, Just thought I'd drop a line to say that I have been following your blog for a while. You've been doing a great job. I was also happy to find your Flickr photos from the 2009 IKT Congress in Helsinki, which we've also shared (the Athens Biennale, that is) with our fans on Facebook. I do hope to see you in the upcoming IKT Congress, which we are co-organising here in Athens. All best, Augustine.

Will: Opportunity: Call for curators at artselector

nospam@example.com (Will) — Fri, 02 Oct 2009 10:29:29 -0500

We are still recruiting curators - and editors: please follow link below.

Will

http://www.artselector.com/art-deadline/artselector-regional-gallery-editors

hans cederberg: Resources: On Art Blogging in Europe

nospam@example.com (hans cederberg) — Tue, 22 Sep 2009 05:01:54 -0500

The Metropolitan Museum of Art Educational Resources - [ Översätt den här sidan ]Claude Monet: The Last Impressionist. Author: Cederberg, Hans. URL: http://www.monetclaudemonet.com/. Notes: This site invites one to participate in ...
www.metmuseum.org/education/records/AEUP0018.htm - Cachad - Liknande

Please visit this site.

Greatful for support.

Best regards,

Hans Cederberg

idosyncray: Job: Conservateur en chef/Chief Curator, Musée d'Art Contemporain de Montréal

nospam@example.com (idosyncray) — Wed, 16 Sep 2009 07:43:19 -0500

Aristote, "L'art imite la nature"
Oscar Wilde, "La nature imite l'art"

Aristotle, "Art imitates nature"
Oscar Wilde, "Nature imitates art"

Denna sida handlar om "observation på observation" av samtidighet. genom handling av våra sällskapsdjur i staden, vilket ledde sitt beteende och att vi hittar, postbox och deras instinktiva reaktion, visar en relation och ansikte spegel social tolkning är att det ska vara tagna mellan imitation och härmning som är en linje av universella förnuftets .

please feel free to add as fan and leave your comments.

Greeting.

http://www.facebook.com/profile.php?v=info&edit_info=all#/pages/Dog-Study/136338675291

bradford90: Fumio Nanjo and Douglas Fogle

nospam@example.com (bradford90) — Wed, 04 Jun 2008 12:04:48 -0500

check out this interview with Douglas Fogle (http://blackandwhiteprogram.com/interview/douglas-fogle-life-on-mars-carnegie-international), maybe it'll answer some questions you have

Carlo Dezzani: Francesco Bonami

nospam@example.com (Carlo Dezzani) — Sat, 17 May 2008 01:33:27 -0500

Egr.prof Bonami:gradirei con la presente richiederLe se può prendermi in considerazione come artista visitando il mio sito www.dezzaniarte.com.Purtroppo non ho grandi disponibilità finanziarie quindi non riesco a partecipare ad eventi quali i vari Expo e quindi una mia eventuale riuscita o successo vengono meno.Confido sinceramente in Lei quale estimatore d'arte e come dice il prof.Sgarbi"vi sono artisti che meritano e non escono per questioni finananziarie"l'Arte è quindi penalizzata solo dai soldi,e i sentimenti di chi crea dove finiscono?Gradirei avare una Sua risposta alla presente quando può.Le porgo i miei più cordiali saluti Carlo Dezzani