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The following job advert is written in Danish as Aarhus Art Building is looking for a curator who is able to speak and write the language.

KUNSTFAGLIG KURATOR til Århus Kunstbygning

Århus Kunstbygning søger en kunstfaglig kurator i en tidsbegrænset ansættelse fra 1. maj (eller hurtigst muligt derefter) 2012 til 31. december 2014. Den Kunstfaglige Kurator skal tegne Århus Kunstbygnings kunstfaglige profil i ansættelsesperioden.

Vores profil
Siden Århus Kunstbygning i 2006 overgik til selveje, har Århus Kunstbygning opnået stor anerkendelse og udviklet sig til en kunsthal, der er på forkant med nye tendenser indenfor samtidskunst. Århus Kunstbygning satser på et ambitiøst program med ny og eksperimenterende kunst af danske og internationale kunstnere. Gennem udtryksformer og formidlingstiltag, der kan udfordre besøgende både kropsligt, etisk og intellektuelt, skal programmet sætte en dagsorden i dansk og international samtidskunst. Århus Kunstbygning er et samlende kunstforum for Aarhus – et bindeled mellem private og kunstnerstyrede udstillingssteder og det lokale kunstmiljø, herunder studerende ved Aarhus Universitet/ ARTS.

Den kunstfagliges profil
Den kunstfaglige kurator skal i sin ansøgning præsentere et sammenhængende og visionært toårigt udstillings- og formidlingsprogram, der skal tegne Århus Kunstbygnings særkende i 2013 og 2014. Der skal i programmet tages højde for, at det skal kunne rumme udstillinger fra et åbent ansøgerfelt/Open Calls samt afvikling af lokalforankrede udstillinger, projekter og arrangementer. Herunder de årlige udstillinger med Det Jyske Kunstakademis Afgangsudstilling (2013, 2014) og Kunstnernes Påskeudstilling (2013, 2014), samt udstillinger hvert andet år med foreningen ProKK (2014), og udstillinger med kunstnersammenslutningerne Guirlanden (2013) og JYLLAND (2014).

I programmet ses gerne samarbejder med andre; lokalt, nationalt og internationalt:
- Museer, udstillingssteder og andre.
- Forskellige aktører indenfor litteratur, dans, musik og teater, samt lokalt eksempelvis C-Sam, Aarhus Festuge, Øst for Paradis, Billedkunstcentret Godsbanen.
- Aarhus Universitet, andre videregående uddannelser, skoler og institutioner.

Udstillinger, projekter og formidling skal inddrage børn, unge, studerende og både et smalt og et alment kunstinteresseret publikum. Kunsten kan også flyttes udenfor Århus Kunstbygnings fysiske rammer, som det on-going satellitprojekt Sigrids Stue i Gellerup, hvor helt nye målgrupper præsenteres for og inddrages i samtidskunst.

Kvalifikationer:
Programmet skal tilknyttes en finansieringsplan, idet det forventes, at den kunstfaglige kurator selvstændigt kan fundraise, opstille udstillingsbudgetter og finansieringsplaner, afvikle udstillinger indenfor budgetramme, samt foretage regnskabsafslutninger, evalueringer og afrapporteringer. Du skal desuden selvstændigt afvikle dit eget, såvel som det allerede planlagte udstillingsprogram (til udgangen af 2012). I
2012 sker det i samarbejde med en kuratorisk medarbejder, en kuratorassistent, en kommunikations- og formidlings medarbejder, en teknisk udstillings-koordinator og skiftende praktikanter.

Øvrige kvalifikationer:
- Du er uddannet cand.mag. i kunsthistorie eller anden relevant uddannelse
- Du er kunstteoretisk velfunderet og har et bredt netværk, nationalt og internationalt
- Du kan formulere dig flydende og målrettet på flere sprog, så budskabet trænger igennem
- Du kan formidle en indimellem svært tilgængelig samtidskunst i øjenhøjde med publikum
- Du er gennemslagskraftig, udadvendt og god til at samarbejde
- Du er god til at bevare overblik, arbejdsfordele og til at give ansvar videre
- Du er nysgerrig, åben for nye idéer og samarbejdspartnere og vil engagere dig lokalt

Århus Kunstbygning tilbyder:
En arbejdsplads med dedikerede kollegaer, såvel ansatte som frivillige. Et uhøjtideligt arbejdsmiljø med plads til meninger og debat. Et smukt hus med 1000 m2 indendørs udstillingsrum, store udendørsarealer (der kan tænkes ind i programmet) og beliggenhed i hjertet af Aarhus. Stillingen kan ansøges solo eller kollektivt, med det forbehold at der kun er afsat midler til én aflønning. Stillingen vil i ansættelsesperioden kræve bopælspligt indenfor en rimelig radius.

Ansøgning med udstillings- og formidlingsprogram samt CV stiles til:
Bestyrelsen for Fonden Århus Kunstbygning og sendes som brev til Århus Kunstbygning, J. M. Mørks Gade 13, 8000 Aarhus C eller per mail til: kunstfaglig_kurator -at- aarhuskb.dk senest d. 1. april 2012.

Kontaktperson: Formand for Fonden Århus Kunstbygning Jo Dam Kærgaard, tlf. 86 20 60 54/ 61 10 24 03,
mail: jdk@aarhuskb.dk (bemærk at ansøgninger IKKE modtages på denne mail).

Se mere på Århus Kunstbygnings hjemmeside, www.aarhuskunstbygning.dk, hvor der løbende tilføjes nye dokumenter til stillingsopslaget.

Esse arts + opinions Magazine: Be Nice to Your Curator, No 72 - Curators - Spring/Summer 2011

Contributions by curators Sylvette Babin, Sophia Krzys Acord, Paul Ardenne, Jean-Philippe Uzel, Louise Déry, Nathalie Desmet, Michèle Thériault, Marie-Eve Beaupré.

Last year’s spring/summer issue of ESSE magazine was entirely devoted to curatorial practice. What does it mean to be a curator nowadays? How does curatorial practice evolve in different settings and structures? How valid are the criticisms against the role of the curator? Esse’s issue Be Nice to Your Curator presents an array of insightful essays written by curators and prompts the reader to reflect upon the enduring role of the curator. However, since curatorial practice is not confined to exhibitions, for this special issue Marie-Eve Beaupré has been invited to intervene through comments you can find in red ink between the texts. Besides the linguistic ambiguities that the word “curator” might pose across different languages, for example, curator in English, commissaire in French, the role of the curator seems to appeal to a larger set of criticisms and speculations.

Sophia Krzys Acord in her text “Guest Curating in the museum: Lost in Translation?” explores the risks of guest curating highlighting the different ends of museum curatorial practice versus independent curating. Acord unravels the limitations of such collaboration, which might lead to conventional outcomes with respect to audience engagement and the art itself. Looking at curating from a sociological perspective, Acord investigates the process of the production of knowledge within institutional settings and in relation to independent curating.

Paul Ardenne in his text “Curating Exhibitions: An Evolving and Ambiguous Function” takes a more radical stance on curators by exposing the levels of credibility of popular star-curators, who have more or less shaped a debatable but a rock-hard landscape to act in. Seeking to map the crisis experienced in curating nowadays, Ardenne further elaborates on the current institutional imperative for curated shows by artists and provides a critique for what makes a great exhibition in a chaotic art system led by dynamics other than of the art itself.

Jean-Philippe Uzel’s “The Author-Curator and His Critics” starts off with the well-known and persistent criticism against curators for having replaced the artists. Through an interesting history of curatorial criticism, from Daniel Buren in the sixties to Paul Ardenne and artist Anton Vidokle in 2010, Uzel draws a coherent parallel between the criticisms of contemporary art itself and the practice of curating.

Louise Déry elaborates on the concept of the “love exposed” curator in a more romantic fashion analysing diligently the responsibilities of the curator in her text “Curator, Your Love’s on Display”. Déry discusses the tensions and conflicts among institutions, curators and collectors seeking to reflect on the quality of the artistic practice as well as the significance of communicating art through exhibitions that foreground knowledge and thought.

Nathalie Desmet in her “Institutional Recognition and New Curatorial Practices” explores the strategies used by institutions and curators with the purpose of constructing a new self for institutions. Desmet reports on the concept of the “New Institutionalism” and discusses its problematics by identifying the new trends in both institutional and curatorial practices and by providing critical examples.

Last but not least, Michèle Thériault’s “The ephemeral as an agent of reflexive inquiry” examines the potential of the ephemeral in the production of critical and reflective environments. Thériault reviews her curatorial practice within an academic setting, that of the university art gallery and presents three case studies where the ephemeral allows for experimental shifts in the role of artists, curators and institutions.

On the whole Be Nice to Your Curator gives readers an insider view of international curatorial practice and reconsiders the status of the curator today. There are many examples of exhibitions with supportive visual material of artworks and methods of display that are valuable for anyone interested in curating.

The magazine is available in both French and English. You can get a sneak preview here http://www.esse.ca/en/revue/curators and you can purchase it here http://www.esse.ca/en/shop/magazines

- Guggenheim staff talk about sifting through 23,000 project entries for the YouTube Play project. "...first objective, and probably the most important for our curators was the concept of moving the art form forward. Our curators were really excited to examine this platform in the moment."

- "...beyond the commercial success and proposed museum hub there is a still a great need to create working conditions for artists and arts professionals, such as affordable studios, regular informal gatherings such as BAF Art School, exhibition venues and more arts patronage so that artists, critics and curators can thrive." from an interview with Sara Raza, Curator of BAF Art School, Dubai.

- Nicholas O'Brien on the proliferation of online galleries for Bad at Sports is a good read. "A case study to consider in light of the somewhat temporary-ness of online curatorial projects (i.e., jstchillin, The State, etc.) is to look at the transience that also occurs in the apartment gallery scenes of cities like Chicago and San Francisco."

- From MJ #13 onwards, the Manifesta Journal will be freely accessible worldwide: "This will enable us to communicate with greatly expanded and previously disconnected audiences."

- Columbia University's Critical and Curatorial Studies' online journal Interventions has uploaded their second issue: Framing the Internet.

- "Once considered the weakest candidates by boards, curators are now getting the top management jobs".

- Rem Koolhaas will be the architect designing Marina Abramovic's new Museum of Performance Art.

The Brooklyn Museum seeks an assistant curator of Contemporary Art to participate in a fast-paced and dynamic area of growth within the Museum. The successful candidate will be deeply familiar with a broad range of contemporary art and will assist with development and implementation of both collections growth and programs.

Responsibilities:

The duties of the Assistant Curator include but are not limited to the following: The assistant curator will support all departmental activities under the direction of the curator of Contemporary Art. These include: maintaining and updating departmental records; researching and documenting collection objects; fielding and responding to inquiries from the general public and scholars; assisting in the upkeep of and alterations to permanent installations; preparing gallery didactics; caring for museum objects in conjunction with museum conservators; assisting in the maintenance of an active loan schedule; assisting in the preparation of exhibitions and publications; interacting with curatorial colleagues on collaborative exhibition projects; collaborating with museum educators in the preparation of didactic materials; participating in the cultivation of department patrons; attending and assisting with the Contemporary Acquisitions Committee.

Requirements: Advanced degree in Art History or related field, Ph.D. preferred; minimum of two years experience in a curatorial department; advanced word processing skills and familiarity with databases; strong organizational skills and ability to multi-task; good interpersonal skills, creativity, openness and flexibility. Preference given to candidates with a background in photography.

Candidates should be committed to making a range of Contemporary art and practices accessible and engaging to the Brooklyn Museum’s diverse audience. Candidates should have the ability and desire to make connections between contemporary art and a range of art historical traditions and to suggest creative ways of presenting contemporary art in the context of an encyclopedic museum. Candidates should have the temperament and interpersonal skills necessary to work with a team of educators, conservators, designers, and other museum professionals. Excellent communication skills, both verbal and written, and research skills are essential.

Starting date: Spring 2012

Work Schedule: Full time, 35 hours Monday through Friday, 9:00 a.m. to 5:00 p.m. Evenings and weekends as needed.

Reports to: Managing Curator/Curator of Contemporary Art

To apply: Mail letter of interest, CV with three references and a two-page writing sample to Curatorial Department at: Brooklyn Museum, 200 Eastern Parkway, Brooklyn, NY 11238-6052 or by email at: job.asst.curator.contemporary.art(at)brooklynmuseum.org

Applicants for positions at the Brooklyn Museum are considered without regard to race, creed, color, country of origin, sex, age, citizenship, disability, marital status, or sexual orientation. All applicants must be legally authorized to work in the United States. Candidates of color are strongly encouraged to apply.

Website: http://www.brooklynmuseum.org/about/careers/index.php

The Kitchener-Waterloo Art Gallery is seeking an Assistant Curator/Registrar to oversee its Permanent Collection. The Gallery’s collection consisting of over 4000 works held in public trust includes Canadian and European works from the 19th century to the present day. The Assistant Curator/Registrar is responsible for researching and developing exhibitions drawn from the collection as well as overseeing acquisition documentation, loans, crating, shipping, and monitoring environmental conditions of exhibition and storage areas.

The successful candidate will have a university or college degree in art history, museum studies or related field, along with a minimum of three years experience in collections management, registration or conservation functions in a public gallery or art museum.

Please visit www.kwag.on.ca for a detailed job description.

Please send a resume and cover letter before March 2, 2012 at 5:00 pm to:

Shelly Mitchell, Director of Finance & Administration
Kitchener-Waterloo Art Gallery
101 Queen Street North, Kitchener, ON N2H 6P7
Email: smitchell(at)kwag.on.ca

Only those selected for further consideration will be contacted.

Requirements:

KNOWLEDGE, SKILLS AND ABILITIES
• Knowledge of Canadian Art History and Contemporary Art
• Experience with computerized collections management systems, Microsoft Word, and Excel in PC environment is required.
• Familiar with the standards and practises of museums/galleries, particularly in collections management and exhibition procedures
• Excellent organizational skills and attention to detail
• Proven ability to manage time and to effectively complete required tasks and meet deadlines
• Excellent oral and written communication skills
• Excellent interpersonal skills and ability to work in a team environment
• Ability to work respectfully with exhibiting artists and exhibition contributors in order to ensure a friendly, safe and professional experience
• Actively participate with other staff to ensure the realization of common goals
• A willingness to upgrade professional skills and knowledge of professional practices as offered through educational/professional development opportunities
• A valid driver’s license and access to a vehicle
• The ability to work flexible hours, including weekends and evenings
• Basic knowledge of budgeting, funding requirements, and agencies

Organization Description:

Through thoughtful and engaging programs, the Kitchener-Waterloo Art Gallery (KW|AG) connects people and ideas through art. The Gallery’s exhibits and programs are built on the mission that art is the catalyst for shared experience, dialogue and imagination. The Gallery emphasizes contemporary art, often premiering works by Canadian and international artists. Exhibitions frequently draw upon selections from the 4 000 work Permanent Collection to provide a forum for dialogue. KW|AG plays a vital educational role in the community, offering a full spectrum of artistic experience for adults, children and families alike. Established in 1956 and operating within Centre In The Square, KW|AG is the oldest and largest public gallery in Waterloo region: roots in the community, eyes on the world. For more information, contact mail(at)kwag.on.ca or visit www.kwag.ca.

OPEN CALL FOR THE CURATOR OF NARRACJE FESTIVAL, GDANSK, POLAND

Application deadline: 21 February, 2012

Gdansk 2016 and Gdansk City Gallery are looking for an international curator of the fourth edition of 'NARRACJE - Installations and Interventions in Public Space' Festival scheduled for November 2012 in Gdansk, Poland.

'Narracje - Interventions and Installations in Public Space' Festival is a presentation of large scale projections on buildings and all kinds of creative, innovative and unusual artistic activities taking place in public space within the Festival map. In 2012 the Festival will explore the area of the real Old Town adjacent to the Main Town, with its separated historical parts: Osiek and Zamczysko, located between the Main Town and the Gdańsk Shipyard, as well as the area of the Shipyard itself.

The requirements towards the candidates and competition Rules and Regulations are available on the Organizer's website
www.gdansk2016.eu/konkurs

Entries will be accepted by 21 February 2012 via e-mail to: konkurs -at- narracje.gdansk2016.eu or regular mail to the Organizer's address: Gdańsk 2016, Długi Targ 39/40, 80-830 Gdańsk, Poland.

Additional information about the open call, in particular maps, photo documentation, information regarding the location of the 4th edition
of the Festival and estimated budget can be obtained by e-mail: konkurs -at- narracje.gdansk2016.eu. You can also enquire by phone: Natalia Cyrzan, tel.: +48 502 02 86 53

More info about the former editions of NARRACJE: www.narracje.eu

Learn how to run an art gallery with this free evening course in curating. Gain experience, qualifications and get to put on your own show in Mapalim's Parlour Gallery & Project Space.

Nowadays, the creative and cultural sector is more competitive than ever. This Cultural Curators Programme offers an opportunity to increase one’s marketability by achieving a nationally recognized qualification in Cultural Venue Operations.

Have the opportunity to:

Learn the essential non-art side to organizing exhibitions and events.
Gain Level 3 qualifications in ‘Cultural Venue Operations’
Design, market, run and manage your own art exhibition (with other people’s art, not your own!) and community events. Click here to see previous exhibitions.
Choose your job role of finance, marketing, community, curating or logistics and work in a team to realise your own art event.
Learn aspects of venue management such as health & safety, photo image capture and guided tours.
Gain valuable experience that will help you further your career in the creative field.
Do this course around your day job!

The ideal candidate for this role will be extremely hardworking and a motivated team player, taking on this course as a challenge. You will have the opportunity to use the Cultural Curators Course as leverage to market yourself as a curator, marketer or events manager.

To be eligble you must:

•Be aged 19-24

•Be a UK/EU citizen or have lived in the UK for 3 years

•A passion for the arts and events!


The time commitment of the course will be 8 hours per week on a Tuesday and Thursday evening, 5:30pm – 9:30pm.

Intake dates: 13/03/12, 05/05/12

Interested candidates should email their contact details and date of birth to skills@mapalim.com with ‘Cultural curators 9 week’ as the subject line. Successful candidates will be invited to an information and interview evening closer to the time of intake.

For further details please contact Gideon Golstein skills@mapalim.com