Curating.info

Call for Applications
Residencies at Darling foundry
CURATORS in visual arts


FRANCE-QUEBEC CROSS RESIDENCIES
Pilot Darling Foundry - Astérides (Marseille)
Residencies : November to December 2012
(1 French curator in Montreal and 1 Québécois curator in Marseille)
Deadline January 15, 2012


THE RESIDENCY OF THE AMERICAS OF THE CONSEIL DES ARTS DE MONTRÉAL
Residency: May to June 2012
This program is dedicated to curators from the Americas, including Canada. Québécois are not eligible.

**Deadline extended to January 23, 2012**

Guidelines, forms and more informations:
www.fonderiedarling.org/encourager_e/index.html
residence -at- fonderiedarling.org

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Appel de dossiers - Résidences à la Fonderie Darling
Volet commissaires en arts visuels


RÉS. CROISÉES FRANCE-QUÉBEC
Pilote Fonderie Darling - Astérides (Marseille)
Résidences : novembre - décembre 2012
(1 commissaire Français à Montréal et 1 commissaire Québécois à Marseille)
date de tombée : 15 janvier 2012

LA RÉSIDENCE DES AMÉRIQUES DU CONSEIL DES ARTS DE MONTRÉAL
Résidence : mai - juin 2012
Ce programme s’adresse aux commissaires en provenance du continent des Amériques, incluant le Canada.
Les Québécois ne sont pas admissibles.
**Date de tombée reportée au 23 janvier 2012**

Artexte est à la recherche d’un conservateur adjoint pour produire et coordonner des projets d’exposition innovateurs dans un contexte de recherche unique au Québec et au Canada.

CONTEXTE
Le nouveau programme d’expositions d’Artexte s’inspire de l’important fonds documentaire enrichi depuis 30 ans. Celui-ci rassemble catalogues d’expositions, publications d’artistes, dossiers d’artistes et périodiques publiés au Canada et ailleurs depuis 1965 et reflète un intérêt pour les approches critiques de la création, de l’exposition, de la recherche et de l’interprétation des arts visuels.

Le programme d’expositions vise à rendre compte des enjeux aussi multiples qu’inexplorés de l’édition et des écrits critiques, de la culture de l’imprimé, des réseaux d’information et des cyberinfrastructures.

Artexte dispose dans ses nouveaux locaux au 2-22, d’une salle d’exposition de 30 mètres carrés.

RESPONSABILITÉS
Le titulaire participe au développement de la programmation; planifie, produit et coordonne les expositions annuelles ainsi que le programme complémentaire; planifie et réunit les ressources humaines, matérielles et techniques nécessaires aux programmes; coordonne l’installation des expositions et des activités; réalise les outils interprétatifs; assure les communications; collabore à la préparation des demandes d’aide financière et aux rapports administratifs; assure la gestion de chaque projet.

COMPÉTENCES
Posséder une solide connaissance de l’art contemporain et de l’édition papier et numérique en art actuel; un intérêt marqué pour la production de nouveaux savoirs en lien avec la documentation des arts visuels au Canada et à l’étranger; faire preuve d’initiative, avoir la capacité de mener avec vitalité plusieurs dossiers à la fois. Le titulaire occupera un rôle clé dans le bon fonctionnement de l’organisme.

Détenir une maîtrise en histoire de l’art, communications, cultural studies, science de l’information, muséologie, ou l’équivalence; posséder au moins deux années d’expérience de coordination de projets dans un organisme artistique. Une parfaite maîtrise du français écrit et parlé et une bonne connaissance de l’anglais parlé et écrit sont essentiels.

CONDITION
Poste à temps partiel
25 heures semaine, 12 mois avec possibilité de renouvellement
26 000 $ + avantages
Date limite pour envoyer votre candidature : 15 janvier 2012
Entrée en fonction : mars 2012Soumettre votre curriculum vitae et une lettre d’intention à embauche -at- artexte.ca avant le 15 janvier 2012.

Seules les candidatures retenues seront contactées pour une entrevue.
Veuillez noter que le masculin a été utilisé afin d’alléger le texte.

The MIA seeks a creative, dynamic, and experienced Assistant/Associate Curator in the Department of Photography and New Media. Reporting to the Department Head, the curator is responsible for the care, research, exhibition, and study of over 11,500 photographs and media works in the collection. The curator will also have the unique opportunity to organize annual exhibitions in two gallery spaces and to develop an innovative series of collection catalogs.

The ideal candidate possesses an in-depth knowledge of the history of photography combined with a broad understanding of modern art, history, and culture; is an adventurous risk-taker who does not fear experimentation, and who enjoys challenging curatorial conventions and proposing ambitious projects. The successful candidate will be a congenial colleague who is open to new ideas and comfortable collaborating with curators, scholars, and artists from a variety of disciplines; thinks strategically and creatively about engaging diverse audiences through insightful scholarship, installation design, text, media, programming, and education.

Specific duties include:
Responsible for all aspects of research, planning, budgeting, organizing and implementing original exhibitions that inspire audiences to think about photography and its history in new ways.
Publish scholarly writings in catalogs and journals, and provide text for the New Pictures blog. Lecture on photography to diverse audiences, and represent the MIA at public events.
Work with the Head of Photography and New Media to publish a comprehensive collection catalog that offers a range of scholarly and artistic perspectives.
Collaborate with interdepartmental curators and Learning and Innovation to situate photography and new media throughout the MIA’s cross-cultural collection.

Requirements include:
Master’s degree in the field of photography, art history or related cultural fields (Ph.D. preferred); proven track record of organizing photography exhibitions and publications on photography and its related histories; at least three years’ museum and/or gallery experience; hands-on and historical knowledge of photography’s techniques and materials; knowledge of the art market, dealers, galleries, collectors, fellow professionals and other constituents in the field; ability to work independently and coordinate complex projects to completion; ability to write interpretive material for a diverse audience; significant art historical research skills and experience; excellent written and verbal communication and organization skills; team skills and ability to work effectively with staff, trustees and other vital contacts.

For further information and to apply, please visit http://www.artsmia.org/index.php?section_id=48

Frans Masereel Centrum and Z33 are pleased to announce an open call for curatorial proposals for an exhibition on graphic arts in Z33 from October 28 – December 31, 2012.

Because of the need to broaden the network of both international and national curators, and in order to stimulate curatorial strategies and concepts in the field of graphic arts, the Frans Masereel Centrum and Z33, house for contemporary art, are launching an international open call for curatorial proposals.

Postmark deadline: 16 January 2012

Download full description here.

Proposals should be sent via mail or email to:
Sofie Dederen
Frans Masereel Centrum
Masereeldijk 5
2460 Kasterlee
Belgium

More info: www.z33.be - www.fransmasereelcentrum.be

Senior Curator of Modern and Contemporary Art and Phyllis C. Wattis MATRIX Curator
UC Berkeley - Main Campus

The mission of the UC Berkeley Art Museum and Pacific Film Archive (BAM/PFA) is to inspire the imagination and ignite critical dialogue through art and film. One of the largest university art museums in the United States, in physical and budget size and in attendance, BAM/ PFA has developed an international reputation for presenting one of the most active and ambitious exhibition programs, as well as for the quality of its art and film collections and research resources. BAM/ PFA is an institution with a stellar history and an exciting future. For more information, visit our website: http://bampfa.berkeley.edu.

Responsibilities:

• The Senior Curator of Modern and Contemporary Art and Phyllis C. Wattis MATRIX Curator is responsible for leading an internationally recognized, dynamic, and very active exhibition program of modern and contemporary art, including the MATRIX program which offers a rich and diverse sampling of significant local, national and international developments in all media and experimental forms.

• Based on original research, plans and conceptualizes exhibitions and other projects of international modern and contemporary art examining diverse topics and historical themes. Writes and edits scholarly materials that appeal to the broad range of museum visitors.

• Maintains ongoing, active professional relationships with artists, curators, and critics locally, nationally, and internationally. Regular engagement in programs, talks, symposia, and electronic media outside BAM/PFA.

• May supervise support staff and guest curators.

• Identifies acquisition and conservation priorities. May recommend works for de-accession and conduct relevant research.

• Collaborates with development staff on fundraising. Actively cultivates relationships with foundations, BAM/PFA Trustees, existing major and potential donors, collectors, and artists.

• Works with the education department to develop interpretive programs and materials, and to make exhibitions relevant to UCB coursework and diverse audiences. May present lectures and/or teach UCB courses. Actively engaged in BAM/PFA website and other digital outreach media, including BAM/PFA blog.

• May supervise guest programmers for L@TE, E@RLY, and other special programs.

• Plays a key role in long-range institutional planning efforts, such as establishing programmatic and collection development priorities, exhibition planning for the new building, conservation planning, and strategic planning.

• Develops and oversees relevant exhibition budgets.

• Holds a leadership role in the international modern and contemporary art field, through close working relationships with international curators and specialists, and through original scholarly research.


Qualifications:

• Advanced knowledge of and experience in museum curating, research, and collection development.

• Excellent verbal and written communication abilities, including the ability to communicate complex concepts about history, visual arts, and cultural practice to an audience that ranges from casual museum goers to academics.

• High-level cultivation and grant development experience.

• College-level teaching experience.

• Understanding of, and sensitivity to, diverse communities served, locally, nationally, and internationally.

• Intellectual curiosity, creativity, and enthusiasm for bringing scholarly research and distinctive visual arts programs to a broad public in accessible ways.

• Ability to collaborate internally and externally, and cultivate strong relationships with faculty, donors, and colleagues.

• Writing samples required.

• PhD in Art History or equivalent preferred, with extensive knowledge and emphasis in international modern and contemporary art, and appreciation for full range of field.


Salary: Salary is commensurate with experience, with an excellent benefits package including three weeks vacation and benefits for eligible family members.

First Review Date: January 3, 2012

To Apply: Visit http://apptrkr.com/220721 click on 'search and apply for jobs now' and look for job number 13232.


The University of California, Berkeley is one of the world's leading universities in research, teaching, and public service. The campus employs 2,028 faculty and over 14,000 staff in more than 130 academic departments and interdepartmental groups, libraries, museums and more than 65 interdisciplinary research units contribute to this dynamic and vital research and teaching environment.

The University of California, Berkeley is an Equal Opportunity Employer. We offer a diverse working environment, competitive salaries, and comprehensive benefits.

Job Description

The Curator works with the Senior Curator to manage the Museum’s permanent collection and exhibition program. Specific responsibilities are defined from year to year in consultation with the Senior Curator.

The Curator is responsible overseeing and or curating one or more special exhibitions each year, and for giving one or more public lectures as part of the Museum’s adult education program. This full-time position reports to the Senior Curator.

This position works in association with the Interim Chief Curator, Collections Manager, the Installation Manager, and the Education Program Manager.

Requirements

•PHD in art history or museum studies, some knowledge of ceramics a plus
•At least three years’ experience working in museum and/or gallery environment
•Excellent verbal and written communication skills
•Familiarity with museum operations and collections management a plus
•Strong interpersonal skills and an ability to relate to a broad range of people
•Willingness to work collaboratively and a commitment to meeting deadlines
•Flexibility and a good sense of humor

Additional Information

For detailed posting, see: http://www.gardinermuseum.on.ca/about-us/job-openings

ASSOCIATE CURATOR

REQUIREMENTS

Education: M.A. or equivalent degree preferred

Experience: Museum curatorial or live event programming experience. Demonstrated initiative and discernment, as well as project management skills and experience managing junior staff.

Skills: Knowledge and competence to conceive, initiate, direct, and produce all manner of public and live event programming. Knowledge of basic office procedures and management skills. Knowledge of a foreign language, especially German, needed for project related work.

The MoMA PS1 Associate Curator will work closely with the Curator and the Director to develop, define and execute a program of live events and public programs at MoMA PS1.

Qualified candidates will possess at least a Bachelor’s degree and 3-5 years’ experience in curatorial or programming positions.

Candidates should possess superior judgment, high level of professionalism, initiative, and strong verbal and written communication capabilities. Candidate should have proven experience in managing a program of performances, events, and good computer skills, including Word, Excel, and PowerPoint.


RESPONSIBILITIES

The Associate Curator will:

-Oversee the organization and execution of all MoMA PS1 event programming, including recurring events (e.g. Warm Up music series) as well as workshops, artist lectures, performances and other special events.

-Work with the Curator and the Director to conceptualize a strategic, overarching, distinct institutional profile for live programming in the multidisciplinary context that the museum offers.

-Actively promote and nurture strong intra-institutional working relationships between curatorial, development, special events, and communications staff at both MoMA PS1 and The Museum of Modern Art.

-Manage junior curatorial and support staff involved in the production of the events organized under the leadership of the Associate Curator.

-Liaise with artists and organizations represented in related programs.

-Remain informed of current activities in contemporary art and practice through sustained research and exposure to cultural happenings, initiatives, and organizations, with the ultimate goal of making recommendations to senior staff.

-Perform any other duties reasonably related to the functions described above.

SUPERVISES: Curatorial assistants, interns and support staff as assigned

REPORTS TO: Director

HOW TO APPLY: Please send your resume and cover letter to employment_ps1(at)moma.org and include “Associate Curator” in the subject line. No phone calls please.
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MoMA PS1 is an equal opportunity employer and considers all candidates for employment regardless of race, color, sex, age, national origin, creed, disability, marital status, sexual orientation or political affiliation.

Website: http://momaps1.org

CURATORIAL ASSISTANT/DEPARTMENT COORDINATOR

Note: This is a 2 year grant funded position.

REQUIREMENTS

Qualified candidates will possess a Bachelor’s degree and 2 or more years’ experience in administrative positions or equivalent. Candidates should possess superior judgment, high level of professionalism, initiative, and strong verbal and written communication capabilities. Candidate should have proven experience in managing a program of performances, events, and Good PC skills including Word, Excel, PowerPoint. Contemporary Art background is essential.

RESPONSIBILITIES

The Curatorial Assistant/Department Coordinator will:

-Oversee the organization and maintenance of Curatorial Department functioning.

-Assist the Director and Senior Curatorial Staff with all manner of exhibition development, research, and coordination, including administrative work in the context of curatorial functions such as bibliographic and biographical research, publication research, preparation, and coordination, MoMA acquisitions, and other general curatorial inquiries.

-Actively promote and nurture strong intra-institutional working relationships between development, publications, special events, communications at both MoMA PS1 and the Museum of Modern Art.

-Liaises with artists and organizations represented in related programs

-Coordinates with the Registrar work that relates to the care of displayed artwork, and expedites arrangements for custodial, registration, and preparation work as required by the curators in the maintenance of gallery exhibitions.

-Performs research on subjects such as artists, periods, styles, etc., on specific works, locations of works, photograph sources, and answers related inquiries from the public and scholars with regard to such information.

-Assists in catalogue preparation, preparation of exhibition checklists and press releases, coordinating and scheduling work to be done within the Museum and without in such areas as conservation, photography, public information, matting and framing, construction, lighting, etc.

-Assists with the writing and installation of wall labels and text. Answers inquiries, and conducts some gallery tours as necessary for visitors.


REPORTS TO: Curator


HOW TO APPLY: Please send your resume and cover letter to employment_ps1(at)moma.org and include “Curatorial Assistant” in the subject line. No phone calls please.
_________________________________

MoMA PS1 is an equal opportunity employer and considers all candidates for employment regardless of race, color, sex, age, national origin, creed, disability, marital status, sexual orientation or political affiliation.

Website: http://momaps1.org

With the recent honor of being listed to Newsweek’s Top 25 list of “Most Artistic Colleges,” the position provides an opportunity to contribute to a vibrant learning community for a curator who can visualize and bring to fruition a challenging and engaging program of exhibitions. Position plans and organizes the daily and long-term activities of the gallery. Provides leadership in the presentation, research, and display of contemporary American art. Collaboratively creates and implements an exciting exhibition program to engage the campus and extended community. With the Director of the Center for the Arts, and other staff: plans and implements educational programs and marketing/PR efforts, plans and monitors budgets, participates in grant writing. Responsibilities include contract negotiation, staff supervision, research and writing for catalogs and exhibit didactics, and exhibit design and installation. Teaches up to two courses per year: a contemporary art history course and a gallery administration course.

MA in art history or MFA required. Curatorial experience required with prior management experience preferred. Must be committed to College mission, advocating for the arts and building an inclusive, multicultural environment. Must possess: an extensive knowledge of contemporary American art, sense of humor, exceptional organizational and communications skills; and must be a self-starting, multi-tasker who can meet deadlines. Competency using Microsoft Office suite and prior experience with collections management software desired. Requires a full-time presence on campus, at times including evenings and weekends, as well as the capacity to develop effective professional relationships within the local art community.

Competitive salary, excellent benefits, and opportunity to engage with an enthusiastic and dedicated team. Review of applications begins immediately; applications accepted until position filled. Send resume/vitae, cover letter, list of three references, writing samples, and digital images of curated exhibitions to hr(at)alb.edu. Albright College is a liberal arts institution of approximately 1625 students located within an hour of Philadelphia and three hours of New York, Baltimore, and Washington, DC. Albright College is an AA/EOE/ADA employer and is committed to diversity within our community. In pursuit of this commitment, we actively encourage and anticipate diversity among applicants for this position.

- Fellowship update! We are on the cusp of announcing who will be the first Curating.info Fellow. Watch this space! There are only a few days left in the online fundraising campaign. If you appreciate this resource, and have not already donated, please do so by clicking "Fuel this Project" here.

- The latest issue of On Curating is out, and it deals with the issues of public art and public space. Download it free. Also, make a note of the fact that Dorothee Richter, director of the curatorial programmes at ZHDK that create the On Curating journal, has started a practice-based curating PhD in collaboration with the University of Reading.

- Hans Ulrich Obrist: "The notion of curating is now used beyond the art world", explains Obrist. "Blogs are being curated, websites, conferences, concept stores, all sorts of things. We live in a digital age characterized by an exponential growth in information. The way we navigate through this huge amount of information and transform it into knowledge is a curatorial issue." (Long-time readers will know that I don't entirely agree with this viewpoint.)

- Marina Abramovic curates for the first time (first time online, anyway).

- Paco Barragán, in a piece that I can hardly believe I have not linked to yet -- PUSH TO FLUSH / The Curator's Paradox says: "...the curator has become an abstract, dubious, un-ideological character, but at the same time wanted and sought-after, like David Guetta. I guess it’s the spirit of our 'curated' times!"

- Following on the "Push to Flush" sentiment: Career Suicide is a very funny blog (by a very good and very funny artist, Alistair Gentry). He recently grabbed my attention with a post entitled "The Deadly Curator". That's all that I'll give away, you have to click to get the rest.